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tales from tare's volume one

by Adam Harding

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1.
Auld Reekie 03:37
cutting through the Meadows along Jaw Bone Walk black is the water in this dim light sickle is the moon stitched low in the sky the edifice of church spires conspire always pointing at the ever after beg forgiveness for all that on which your will is bent the cosy lights dwindle in the tenements and I'm glad were back in touch heavy was the heart imprisoned in rib cage smoking boredom out the window the increments of routine play out below birds bathe in morning indigo awake semi-naked its four AM liquid was the dinner it seems again you should be ashamed I'm so easily led and with no recollection of the night before picking up pieces door to door seems we didn't come off too badly Harder was the climb than the time before heaving are the lungs gasping for more you can keep your dented crown and your worn weary seat sprawling before me before I go down the countless years beyond all we know tender the affection but fleetingly so
2.
nineteen eighty four or so the label reads a spectre flickers across a bed sheet projection screen despite the creases can clearly be seen even as a child the burden you bore dull the rawness down with measures two times more it's a remedy that's served you well before it keeps them silent them wolves at your door abate the symptoms negate the cure and that's why we don't come round no more it's a bear trap you set for your self and that's why they don't come round no more it's a bear trap tomorrow reaches in under heavy curtain your sallow skin says you've not been out for an age the home helps here with their asinine suggestions still it's hard to say if you're awake for certain and it's quite something reaching out reaching out for bare skin cold thin lips and a hand that grips leaving marks therein "do you feel the cold dear? it's like there's no blood in my veins" "get's into my bones dear and just stays there" and that's why we don't come round no more it's a bear trap you set for your self and that's why they don't come round no more it's a bear trap
3.
the wind pushes winter through the letter box down the hall where you'd been held in a time long forgot to the one room with a small fire a whispered lick of flame you huddle on the sofa but the cold is to blame sweet heart put your body away it's late and it just feels desperate the condensation in the bathroom in which you'd written their name half being misted makes the other half look plain bathing together makes the hot water last soapy bodies but no affection absolved by the task sweet heart put your body away it's late and what we had is faded sweet heart put your body to bed put away those thoughts in your head now the spirits are medicinal they keep the cold from your core but winter nights are long see empty bottles on the floor now in the stupor of the moment adding fuel to the spark of a memory of warm bodies in the bedroom in the dark sweet heart put your body away it's late and what we had is faded sweet heart put your body to bed put away those thoughts in your head now it's a shared cigarette that saves you both from talking like your love it burned out smokey room silence hanging from the remnants of the ashtray your eye meets their eye and like the wind through the letter box you let out a sigh
4.
nothing tenable that morning escaped my lips no soft name for that warm heap that still lay asleep its a soft fold in a lush world that booze affects but all this meant nothing as the sink held my wait as the faculties coalesced around escape to eyes filled with sleep I'm a blurry creep on to a hum of asphalt I made my way waylaid in a lay-by beset by pine that evergreen has always been ever so kind it's a forgiving light a cool air before day is broke until the first shards of sunlight strike out and poke holes in this sanctuary but the mistake was mine as the rising sun showed chased me back to the lay-by and onto the road shows you can never truly escape thee the freeway the driveway the hallway the stairs the door the familiar position in the familiar bed the warm heap with a soft name that stirred and said "where on earth have you been?"
5.
must have been late September time under grill ketamin crystalline apologies its pretty ghetto I know it's good to see you though how've you been supply and demand or so I see got your self a little folding money but ill gotten gains they can't be banked no so it's cistern ceramic security if there's no songbird at your window Williams and fortune won't knock at your door don't take the world to task Williams for that's not what it's for here come the up all weekend people courting fever in St. Andrews park you are the centre you are the staple blurry bliss by morning spark bump a corner then to pass the time took some comfort there in that line and you'll find out just who your friends are and if your loved one's doing fine if there's no songbird at your window Williams and fortune won't knock at your door don't take the world to task Williams for that's not what it's for grown weary of your sweetheart you say 'Special K' keeps her lean she's been dosing off your fun dust she's been fixing awful mean now your love she don't care to call it over though you've drawn a line clean through a powder porcelain container up and broke the thing in two if there's no songbird at your window Williams and fortune won't knock at your door don't take the world to task Williams for that's not what it's for
6.
well I'm fond of this wintered city with cold comes crystalline but like Bill I can afford coats scarves and rosy cheeked women but do you think you could unfold here do four walls make a home stay your wandering heart from the flitting you have known oh it'd be a shame you've come so far to finally come apart I say there's beauty in body to which you'd say I'm predisposed but there's an art form to the way you lie regal in your repose but what do you think of this one? all four limbs and all the rest be still your indifferent beating heart before it withers in your chest oh it'd be a shame you've come so far to finally come apart ignoble is your countenance creeps the lines as creeps the pace are the decades finally showing in your folds and on your face? are there years and months enough left to make what folks would call a life? or has time crashed passed and left you bereft and limp with strife oh it'd be a shame you've come so far to finally come apart
7.
Bear Pit 03:28
ashen faced in the Bear Pit in a whirlwind of traffic where the car horns are your bird song and the high rise crowds your sky it's always night time in the underpass you've a dirty yellow halo illuminates the cardboard mattress and the deceit in your sleeping bag but you can't stay here move along dear move along the patrons of King Square regally recline it's funny and it's not lost they drink their fortified wine the arguments they are domestic with drunk volume they can't afford to really fall out afford to be on their own but you can't stay here move along dear move along no you can't stay here move along dear move along now cigarettes they stem the hunger but only for so long in need of something more sustaining your stomach sings its empty song so you feign some love for Jesus for soup and bread to soak but he wants you on your knees now surrender to the saddest joke but you can't stay here move along dear move along no you can't stay here move along dear move along it's a one room palace for the main event for that golden brown sunset on which you've saved and now spent as that warm curtain draws in and your ailments fade the world reveals its veiled beauty and you're no longer made of clay but you can't stay here move along dear move along no you can't stay here move along dear move along no you can't stay here move along dear move along you can't stay here move along dear move along ashen faced in the Bear Pit in a whirlwind of traffic
8.
came around posturing forgiveness I didn't think there was anything to forgive some broken bond of love left your poor sweet heart yelling blue bloody murder you see when love is tincture a boozy lust well then you lay it on thick and yet in a sober stupor revoking such saccharine devotion now the one with which you are enamoured well at least for the time being I say this makes you makes you fickle I say this makes you makes you fey now it's cold in the kitchen can't we fetch the fire in? fetch the fire in yet now I've chopped up the wood and stacked it neatly fetch the fire in yet now we've hung heavy curtains and excluded the draughts fetch the fire in yet oh now it's cold in the kitchen came around posturing forgiveness I didn't think there was anything to forgive
9.
a faded and furtive care as the fable ends and the twilight bends itself around the room and yes this includes you - you Kingsdown straggling few Sophie’s shift is through and she means it too for when you've seen enough for one night and the hand you hold, you hold damn tight some thread bare love affair leaves you at a loss when the moment comes around keep your boozy opinions or take them home then so the neighbours can't hear them go n go Max tables the chairs half cut but with care have you listened to Davey Graham he’s got a wealth to share when you've heard enough for one night and the hand you hold you hold damn tight some thread bare love affair leaves you at a loss when the moment comes around dwindling so fast covet the embers last glow bare it away to Jim’s though with precious few amongst the powdered proclamations no fevered occasion there’s only love in this room there’s only love in this room for when you've seen enough for one night and the hand you hold you hold damn tight some thread bare love affair leaves you at a loss when the moment comes around and all you are is all you’ll be and the gaze you hold, is all you see confiding in others just sends you out to sea when the moment comes around
10.
Monochrome 04:11
that's time at the bar folks finish your drinks and fetch your coats now she's done she's all awkward goodbyes it's love's labours lost towed the line but at your cost gave you the old cold shoulder now there's a lock in at the Apple Tree and its dodgy looking lean-to hawking tins of booze there's not a sign as such it's in the looks you get just as much you're not welcome here and as the morning looms in the sky is a low silver spoon that stirs a mirky mood as you stumble and lean in your eye is a monochrome screen was once technicolor it says massage and nothing more discretion behind close doors it's mostly what you're paying for it'll cost you but it's top drawer eat you whole once more I guess that's what your body's for and as the morning looms in the sky is a low silver spoon that stirs a mirky mood as you stumble and lean in your eye is a monochrome screen was once technicolor it's a five thirty cloud burst if you could you would see it off ten years and you still get lost so you're minus keys again its broken glass or it's waiting then shiver on the ground in the cold and as the morning looms in the sky is a low silver spoon that stirs a mirky mood as you stumble and lean in your eye is a monochrome screen was once technicolor
11.
it seems you've found a steady little pace there's collusion in your mouth and a wry smile on your face so you feed her some lines and she held in there lustre but dissolve them in measures it just becomes vitriol with your soap box and your bottle your fists too have there say it's gone too far and your empty holds you whilst she prays now you're a lamb too they're not asking much confused with what to do with your poor damned soul and with salvation comes a different kind of pace callisthenics will see you lay a healthy body down fix tour teeth and leave a neater skull in the ground

about

An accumulation of material written over the last eight years or so. Recorded as live at Tare's Cottage, Porth-En-Alls, Prussia Cove, Cornwall.

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released June 1, 2020

All songs written, performed and recorded by Adam Harding

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Adam Harding Bristol, UK

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